 Geralyn Coticone
bagmic@aol.com
Lecturer, Flute
Geralyn Coticone studied flute with Kazuo Tokito and Doriot Dwyer, earning her BM, summa cum laude, from Boston University. After a year of playing in such New York groups as the New York Chamber Symphony and the Mostly Mozart Orchestra, she joined the National Symphony Orchestra as piccoloist, giving the world premiere of Ezra Laderman’s Concertante and participating in the Casals Fesitval in San Juan, Puerto Rico. Ms. Coticone joined the Boston Symphony Orchestra and the Boston Pops Orchestra. She can be heard on numerous recording labels, including EMI, Sony, Deutsche Grammophon, and BMG.
 Elizabeth Ostling
eostling@bu.edu
Lecturer, Flute
Associate Principal Flute, Boston Symphony Orchestra Principal Flute, Boston Pops Orchestra. Boston Symphony Orchestra Marian Gray Lewis chair, fully funded in perpetuity Boston Pops Orchestra Mr. and Mrs. William F. Connell chair, fully funded in perpetuity.
Elizabeth Ostling joined the Boston Symphony Orchestra as assistant principal flute in September 1994 and was named associate principal flute starting with the 1997–98 season, after having served as acting principal since March 1995. She is also principal flute of the Boston Pops Orchestra. Ms. Ostling grew up in Ridgewood, New Jersey, and graduated in May 1994 from the Curtis Institute of Music in Philadelphia, where she was a student of Julius Baker and Jeffrey Khaner. During her freshman year at Curtis she won first prize in the quadrennial Koussevitzky Competition for Woodwinds in New York City. As a Fellow at the Tanglewood Music Center, she was the featured soloist during Tanglewood’s annual Festival of Contemporary Music in Michael Gandolfi’s chamber concerto, Caution to the Wind. Ms. Ostling has appeared as soloist with the Boston Pops Orchestra, performing Griffes’ Poem; she has also performed the Ibert concerto with the New Jersey Symphony Orchestra, spent a summer with the National Repertory Orchestra of Colorado, and was a featured soloist on the “Young Artists Showcase” over WQXR in New York and on numerous nationally syndicated radio broadcasts from Curtis. A frequent performer in solo and chamber recitals, Ms. Ostling has appeared locally with the Boston Symphony Chamber Players and the Boston Artists Ensemble. She has premiered two works written expressly for her: Michael Gandolfi’s Geppetto’s Workshopfor flute and piano, in 1998 in Jordan Hall at the New England Conservatory; and Dan Coleman’s Pavanes and Symmetries, in April 2001 with the Metamorphosen Chamber Orchestra.
 Linda Toote
ltoote@bu.edu
Lecturer, Flute
BM, Mannes College of Music. A native of New York, Linda Toote is the Principal Flutist of the Boston Lyric Opera. She performs regularly with the Boston Symphony, and the Boston Pops and Esplanade Orchestras, Musica Viva and the Boston Artists Ensemble. She has held principal flute positions with the Atlanta and Milwaukee Symphony Orchestras, the Santa Fe and Lake George Opera Orchestras and has served on the faculty of Emory University. Ms. Toote has given master classes throughout the United States and Canada and in Taiwan. A graduate of the Mannes College of Music, where she studied with John Wion, Ms. Toote also was a student of Thomas Nyfenger at Yale University. Her recordings include many symphonic works with the Atlanta Symphony on the Telarc label.
 Christopher Krueger
Lecturer in Music, Baroque Flute
EDUCATION BM, New England Conservatory Recordings on Deutsche Grammophon, RCA, Nonesuch, Pro Arte, CRL, L’Oiseau-Lyre. Christopher Krueger is well known as a performer on both modern and historical instruments, and has been a soloist and ensemble member with virtually every major early-music organization in the US. He is the principal flutist with the Boston Early Music Festival Orchestra, Mostly Mozart on Original Instruments, the Handel and Haydn Society, the Smithsonian Chamber Orchestra, the Classical Band, the New Hampshire Symphony, and Banchetto Musicale. He is also a member of the Bach Ensemble and the Smithsonian Chamber Players and a founding member of the Naumburg Award-winning Emmanuel Wind Quintet. Krueger has performed with the Drottningholm Theater Orchestra, Aston Magna, the BSO, Tafelmusik, Cantata Singers, and the Orpheus Chamber Orchestra.  Renée Krimsier
Lecturer in Music, Flute
EDUCATION New England Conservatory; Juilliard School Renée Krimsier received her education at the New England Conservatory and the Juilliard School, where she received her doctoral degree. Among others, she has performed as a soloist with the Boston Pops, has recorded the 3 Mozart Concerti with the English Chamber Orchestra, played with the Slovak National Orchestra and several other Italian and festival orchestras. Her orchestral career included principal flute with the Filarmonica de Caracas and the Charleston Symphony, and at present she plays principal flute with the Boston Pops Esplanade Orchestra. Renée is an avid chamber music performer, including with her former trio the Aurora Trio, as performer and co director of the Incontri Musicali series in Spoleto, Italy, and Intermezzi in Charleston, SC. She was also a member of Boston Musica Viva, which explores and performs contemporary music, for 15 years. Renée has made many festival appearances, including several years at Marlboro, Spoleto, La Musica, Brevard, and Tanglewood. At present, Ms. Krimsier is on the flute faculties of the New England Conservatory and Boston University.  John Heiss
Lecturer in Music, Flute
EDUCATION BA, mathematics, Lehigh University; MFA, music, Princeton University John Heiss is an active composer, conductor, flutist, and teacher. His works have been performed worldwide, receiving premieres by Speculum Musicae, Boston Musica Viva, Collage New Music, the Da Capo Chamber Players, Aeolian Chamber Players, Tanglewood Festival Orchestra, and Alea III. He has received awards and commissions from the National Institute of Arts and Letters, Fromm Foundation, NEA, Rockefeller Foundation, Massachusetts Council on the Arts and Humanities, ASCAP, and the Guggenheim Foundation. His principal publishers are Boosey & Hawkes, E. C. Schirmer, and Elkus & Son. Heiss has been principal flute of Boston Musica Viva and has performed with many local ensembles, including the BSO.
His articles on contemporary music have appeared in Winds Quarterly, Perspectives of New Music, and The Instrumentalist. Along with Juilliard faculty Joel Sachs, Heiss has designed and written a book/CD-ROM classical music primer for Blue Marble Music entitled Classical Explorer.
Composition with Milton Babbitt, Edward T. Cone, Earl Kim, Otto Luening, Darius Milhaud; flute with Arthur Lora, James Hosmer, Albert Tipton. Recordings on TelArc, Nonesuch, CRI, Golden Crest, Arista, Turnabout, Video Artists International, Boston Records, AFKA.
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