PhD, University of California, San Diego
Christopher Mercer is a composer of electroacoustic music, combining lo-tech analog techniques with extensive digital signal processing. He is a specialist in multi-channel audio and spatialization. As a composer of acoustic music, Mercer has focused on extended instrumental techniques, modifying conventional instruments, and instruments of the composer's own design and, most recently, combining this approach with real-time electronics and spatialization. He is the author of articles on musical aesthetics and composition and has had residencies at Experimentalstudio SWR in Freiburg, Künstlerhaus Schloss Wiepersdorf, and Sound Traffic Control in San Francisco. Mercer’s principal teachers were Peter Otto and Roger Reynolds, electronic music, and Chaya Czernowin and Chinary Ung for instrumental music. More information available athis personal website.
PhD, Harvard University
Coordinator, composition and music technology program. Listed in New Grove Dictionary of Music and Musicians, Jay Alan Yim is an internationally recognized composer, with a Kennedy Center/Friedheim award, three BMI and two ASCAP awards, Tanglewood and Aspen fellowships, Guggenheim and NEA fellowships, and three Illinois Arts Council fellowships. Other honors include an appointment as a composer/fellow (1995-96) for the Chicago Symphony Orchestra. Yim has received commissions from the New York Philharmonic, Chicago Symphony Orchestra, Royal Stockholm Philharmonic, Orchestre National de Lyon, Nieuw Ensemble, Ensemble SurPlus, New Music Consort, Frances-Marie Uitti, National Endowment for the Arts, and Chicago Cultural Center, and performances by the San Francisco Symphony, National Symphony Orchestra, Los Angeles Philharmonic New Music Group, Korean Broadcast Orchestra, Sendai Philharmonic, Nederlands Radio Filharmonisch, Residentie Orkest Den Haag, London Sinfonietta, Isaac Stern, Yo-Yo Ma, Yefim Bronfman, Sarah Chang, Ian Pace, ICE, dal niente, Arditti Quartet, JACK Quartet, and Spektral Quartet. Festival presentations for him include concerts at Tanglewood, Almeida, ISCM World Music Days, Darmstadt, Wien Modern, Gaudeamus, Ars Musica, Sendai, Huddersfield, ICMC. Yim has been recorded by both the New York Philharmonic and Arditti Quartet and is co-founder of the "localStyle" digital media collaborative, with museum installations in Asia, the USA and Europe. For more information, visit his personal web site.
h-thomalla@northwestern.edu
847-467-1680
DMA, Stanford University; Hochschule fur Musik, Frankfurt
Director, Institute for New Music. Hans Thomalla, born in Bonn, Germany, is a Chicago-based composer. His works explore the double-bind character of music as acoustic reality as well as culturally and historically formed expression, constantly following materials transform from one form of musical experience to the other. He has written chamber music as well as orchestral works, and a particular focus of his activity lies in composing for the stage: his opera Fremd for soloists, choir, large orchestra and electronics, was premiered at the main stage of the Stuttgart Opera in July 2011. Hans Thomalla studied composition at the Frankfurt Musikhochschule and at Stanford University. He has been awarded numerous awards and fellowships, among others the Composer Prize of the Ernst von Siemens Musikstiftung, the Kranichsteiner Musikpreis, and the Christoph-Delz-Prize. For more information, visit Hans Thomalla's personal web site.
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