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University of Michigan - Percussion 교수진 정보

Gramley photo

Joseph Gramley

Associate Professor of Music, Director of Percussion Studies 
jgramley@umich.edu
734-764-6520
Office: 1427 Moore

Joseph Gramley is associate professor of music and director of percussion studies at the University of Michigan. He is also director of the University's famed Percussion Ensemble.

Gramley's dynamic and exciting performances as a soloist have garnered critical acclaim and enthusiasm from emerging composers, percussion aficionados, and first-time concert-goers alike. He is committed to bringing fresh and inventive compositions to a broad public, and each year he commissions and premieres a number of new works. His first solo recording, American Deconstruction, an expert rendition of five milestone works in multi-percussion's huge new modern repertoire, appeared in 2000 and was reissued in 2006. His second CD, Global Percussion, was released in 2005.

It was an invitation from Yo-Yo Ma in 2000 that led Gramley to join Yo-Yo Ma's SilkRoad Ensemble. In addition to participating in the group's extended residencies in cities across the globe, Gramley has toured with Yo-Yo Ma and the Ensemble throughout North America, Europe and Asia, performing in the world's finest concert halls. Along the way, Gramley has studied percussion styles and instruments from around the globe, collaborating with internationally renowned musicians from India, Iran, China, Japan, Korea, and Central Asia. He has appeared on several top-selling albums with Yo-Yo Ma on the SonyBMG label, and with other members of the Ensemble. Sony released A Playlist Without Borders in September 2013 in tandem with a nationwide broadcast of the accompanying DVD on PBS. Gramley has also appeared with Mr. Ma when the two of them were guest artists with the Nashville Symphony. He is a former chair of the Silk Road Ensemble's Leadership Council. A film about the Ensemble-The Sound of Silk, directed by Oscar-winner Morgan Neville-will be released in 2015.

In addition to his solo and Silk Road work, as well as his frequent appearances with chamber groups and orchestras, Gramley performs with the acclaimed British organist Clive Driskill-Smith in the duo Organized Rhythm. The pair's first recording, Beaming Music, was issued in 2008; they have appeared across the US and at two AGO conferences.

Gramley has performed with the Metropolitan Opera (on stage with Placido Domingo); Pierre-Laurent Aimard (U.S. tour); Orpheus Chamber Orchestra; Orchestra of St. Luke's, Chicago Symphony Orchestra (soloist); St. Paul Chamber Orchestra (guest principal timpanist and percussionist); Seattle Symphony, Orchestre de Lyon; Dawn Upshaw (US tour); David Robertson (Carnegie Hall); Spoleto Festival (soloist); Martha Graham Dance Company; Merce Cunningham Dance Company; New York City Ballet; Glen Velez (US tour); Keiko Abe (PASIC);  Aretha Franklin; Elton John (at Radio City Music Hall and on worldwide TV and DVD); Kayhan Kalhor; Alim Qasimov; Wu Tong,; Sandeep Das; and numerous others. Gramley is principal timpanist and percussionist with The Knights chamber orchestra. He has toured the U.S. and Europe and recorded a number of albums on SonyClassical with the group.

Born in 1970, Gramley grew up in Oregon and was named a Presidential Scholar in the Arts while a senior at the Interlochen Arts Academy in 1988. He did his undergraduate work at U-M and also attended the Tanglewood Institute and Salzburg Mozarteum.

Gramley made his concerto debut with the Houston Symphony Orchestra conducted by Christoph Eschenbach after winning their National Soloist Competition, and made his solo debut at Carnegie Hall's Weill Recital Hall in 1994. After graduate studies at the Juilliard School in New York, he performed and recorded with the Ethos Percussion Group throughout the U.S. and Europe. He has taught at U-M since 2007.

Gramley has directed the Juilliard Summer Percussion Seminar for 14 years. This is an intensive program for high-school students that is held annually at Lincoln Center in New York City. He presents masterclasses across the world and has lectured at the Juilliard School, with the Civic Orchestra of Chicago, at UC-Irvine (with Ko Umezaki), and the universities of Wisconsin, Michigan State, Princeton and Harvard, among many others.  When in residence at Harvard, he collaborates with the Graduate School of Education on their yearly "Passion Driven Learning" Institute and works with undergraduate music students.

"Brilliant" -New York Times

A "mind-blowing percussionist" -Reno Gazette-Journal

"A Heifetz of the marimba"-Cleveland Plain Dealer

 

 

King photo

Nancy Ambrose King

Professor of Oboe and Chair of Wind & Percussion Instruments
nak@umich.edu
734-764-2522
Office: 3019 Moore
 
Nancy Ambrose King, oboe, is the first-prize winner of the Third New York International Competition for Solo Oboists, held in 1995. She has appeared as soloist throughout the United States and abroad, including performances with the St. Petersburg (Russia) Philharmonic, the Prague Chamber Orchestra, the Janacek Philharmonic, the Tokyo Chamber Orchestra, the Puerto Rico Symphony, the Orchestra of the Swan in Birmingham (England), the Festival Internacionale de Musica Orchestra in Buenos Aires (Argentina), the New York String Orchestra, Amarillo Symphony, Cayuga Chamber Orchestra, and Sinfonia da Camera. She has performed as recitalist in Weill Recital Hall and as soloist at Lincoln Center and Carnegie Hall.  She has recorded nine CDs of works for the oboe, on Boston Records, Cala Records, Equilibrium, Naxos, and Centaur Records. Her latest releases include a CD of 20th-century oboe concertos, Global Reflections, recorded with the Prague Chamber Orchestra and featuring the works of Strauss, Skalkottas, Sierra, and Foss, as well as the premiere of Jennifer Higdon's Oboe Concerto with the University of Michigan Symphony Band. She can also be heard in performances on the Athena, Arabesque, and CBS Masterworks labels.
King was a finalist in the Fernand Gillet Oboe Competition held in Graz, Austria, and has been heard as soloist on WQXR radio in New York City and NPR's Performance Today. She has taught and performed in the Sarasota Music Festival, Idyllwild Music Festival, Bowdoin Music Festival, Marrowstone Music Festival, Strings in the Mountains of Steamboat Springs, and the Hot Springs Music Festival. She has appeared as a recitalist throughout the world and was a member of the jury for the esteemed 2009 Barbirolli Oboe Competition. King recently released an E-book for Apple I-Tunes titled Making Oboe Reeds from Start to Finish with Nancy Ambrose King, as well as a Youtube video channel, "Trois Trios/Deux Duos" with colleagues Jeffrey Lyman, bassoon, and Martin Katz, piano. 
Her playing has earned high praise from a variety of critics, including the American Record Guide: "Marvelously evocative, full of character, sultry and seductive, with a soft-spoken, utterly supple tone, and as musically descriptive as any I have heard...a fine exhibition of thoroughly musical oboe playing;" "She plays not only with delicacy, but also with an intense, almost rapturous sound that is second to none in expressivity and gradation. Delightful!"  "...a lovely player with a tone that surpasses that of most other American oboe soloists. It defines delicacy, yet is strangely assertive, like a soft-spoken woman who nonetheless speaks up strongly when her mind is made up." Fanfare: "Nancy Ambrose King is clearly a skilled musician of great promise, with a sterling technique;" and The Double Reed: "...thoughtful, expressive, and perfectly controlled performance of consummate accuracy. It's not that she makes it sound easy-she makes it sound perfect;" "Ms. King's fluid technique, combined with clean and accurate articulations, makes the most complex passages flow and sounds effortless. Combine these aspects with a beautiful tone and a sensitive touch in the lyrical passages, all oboists have a new level to which to strive."
Currently professor of oboe at the University of Michigan, King was previously associate professor and University Scholar at the University of Illinois, Urbana-Champaign and served as the first female president of the International Double Reed Society. She has also served on the music faculties of Indiana University, Ithaca College, University of Northern Colorado, and Duquesne University Schools of Music. 
 
A graduate of the University of Michigan with a bachelor of music degree, studying with Arno Mariotti and Harry Sargous, King was the recipient of the school's prestigious Stanley Medal and was honored with the 2010 Hall of Fame Award by the University of Michigan School of Music, Theatre & Dance. She received her doctor of musical arts, master of music, and performer's certificate from the Eastman School of Music, studying with Richard Killmer.  
 

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Cary Kocher

Lecturer of Percussion
kocherc@umich.edu
734-764-6520
Office: 1427 Moore

Cary Kocher trained at the University of Michigan under Michael Udow, the late Charles Owen, and Salvatore Rabbio.  

Cary has a very diverse performing schedule that includes work with the Ann Arbor Symphony and other area orchestras.  He has a weekly gig on vibes with latin jazz group Los Gatos, and plays drums with the Easy Street Jazz Band.  He co-leads a classic vibraphone quartet with bassist Paul Keller, provides vibes for Dave Bennett's tribute to Benny Goodman, and plays drums and sings with Espresso.  

Cary also enjoys working with developing musicians.  As a middle school music teacher in Ann Arbor, he also adjudicates at jazz festivals and clinics, directed the Gold Jazz Ensemble at Blue Lake Fine Arts Camp for several years, and teaches jazz vibes and drums at the University of Michigan.

Ovalle photo

Jonathan Ovalle

Assistant Professor of Percussion
ovalle@umich.edu
734-763-2621
Office: 1423 Moore

Jonathan Ovalle is a percussionist whose concerts and collaborations feature an array of musical aesthetics. As a performer, he is a both a committed interpreter of contemporary art music as well as an inspired jazz/world percussionist and drummer. Equally comfortable in the concert hall, on the jazz stage, or improvising in a public space, he continually seeks to explore and engage the percussive art in every manner and shape possible. 

Ovalle has performed and presented masterclasses in North America and Asia, has been a featured artist at the Percussive Arts Society International Convention, and has served as a judge for the Thailand Drumline Competition. Most recently, he has participated in concerts and workshops at Baylor University, University of Tennessee, University of Tennessee - Martin, Texas A&M University-Commerce, Middle Tennessee State University, Queens College, Queensboro Community College, William Patterson University, and has also been featured at the 2015 Ohio and Tennessee PAS Days of Percussion. 

Along with percussionist, Neeraj Mehta, he is currently one half of the chamber duo, PERCUNOVA. The duo gave its international concert debut in July 2014 at the Thailand Brass and Percussion Conference in Bangkok, Thailand, followed by a concert/clinic tour of India. The duo gave its international concert debut in July 2014 at the Thailand Brass and Percussion Conference in Bangkok, Thailand, followed by a concert/clinic tour of India. The duo's current work is focused on concertizing and developing a body of new repertoire, which stands at the nexus of contemporary chamber percussion music and Afro-Cuban percussion traditions. Ovalle has performed with the Sarasota Opera, Detroit Symphony Orchestra, Fort Wayne Philharmonic, Brass Band of Battle Creek, New Music Detroit, and the Detroit Chamber Winds. As a drumset and world percussion artist, he has shared the stage with artists such as Jon Hendricks, Vic Juris, Roland Vazquez, Ann Hampton Callaway, David Hazeltine, Phil Markowitz, Harold Danko, Stephanie Nakassian, Gunnar Mossblad, Tim Whalen, and currently leads his own Afro-Cuban trio/quartet featuring him as a drummer and composer.

As a composer/arranger, Ovalle's percussion arrangements for the production of Ballroom with a Twist, are currently receiving performances by symphony orchestras across the United States and Canada including: Kansas City Symphony, San Diego Symphony, Minnesota Orchestra, Jacksonville Symphony, Fort Wayne Philharmonic, Winnipeg Symphony, and the Calgary Philharmonic. His marching percussion experience includes previous success as both a front ensemble and battery arranger for Bands of America Grand National Championship and WGI finalist (scholastic & independent world class) ensembles. His concert percussion music is published by Tapspace Publications and Living Sound Triangles.  

 
Ovalle is currently an assistant professor at the University of Michigan School of Music, Theater & Dance where he serves as a director of the University's famed percussion ensemble, director of the Latin Jazz Ensemble, and director of the MPulse Summer Percussion Institute, a two-week intensive for intermediate to advanced high school percussionists in grades 9-12. His research interests include: kinesiology/motor coordination; utilizing the body's natural physics to create greater efficiency and more depth of tone; snare drum performance; and pedagogy as a vehicle to developing universal technique on all percussion instruments, as well as memory organization and learning processes and their role in effective practicing. A sought-after educator, he is inspired by the unique puzzle each student presents and finds motivation in helping them overcome both technical and mental roadblocks - unlocking each students' full potential. 

Born in Mexico City, he grew up in Houston, TX and is a graduate of the U-M where his former teachers included: Michael Udow, Julie Spencer, Salvatore Rabbio, Gerald Cleaver, Michael Gould, as well as additional studies with vibraphonist Ted Piltzecker. 

Ovalle has previously served as the director of Percussion Studies at the University of Toledo and as the director of Percussion at the Plymouth Canton Educational Park and is a proud artist/endorser with Pearl/Adams, Zildjian, Remo, and Innovative Percussion. 

 

 

 
 

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